In 1964, if you weren't watching the
Boob Tube, you were probably listening to Jim Wood address
his Boobies on KILT.
The notorious B-I-G Jim Wood was Houston's
first shock jock and KILT's main night DJ of the early sixties. Marv Miller, a former
engineer at KILT, sent this recording.
According to Miller, Wood "was
always doing things that would raise the wrath of management.
They let him get away with a lot of things that others couldn't
because his ratings were #1." He was eventually replaced
by Russ Knight sometime in mid or late 1964.
Although Wood was noted for his risque
patter, the only specific instance I can remember was when
a young female listener wrote or phoned to ask if he was married.
He suddenly changed his voice to a more intimate tone and
said, "No I'm not, baby, but if I was, would it make
a difference?"
It was remarks of a different kind
that lead to Wood's departure from KILT. According to Marv
Miller, Wood did "a thing where he would 'Hurl an Invective.'
" He would start by asking listeners "in a hushed
tone" to turn their radios up full blast and open their
windows. He would then say something provocative.
According to Miller, in the case leading
to his firing, Wood exclaimed, "THIS IS THE POLICE. THE
BOMB SQUAD NEEDS YOU TO EVACUATE THE BUILDING." Marv
Miller recalls that "Several buildings were evacuated
including a church where services were going on. They let
him back on the air but told him he was on probation."
It was the beginning of the end for
Jim Wood at KILT. Even back then, the Powers That Be had short
fuses when people joked about bombs or shouted "fire"
in a public theater.
No, Wood didn't shout fire in a theater.
However, in an earlier "invective, " he did ask
listeners to play their radios in theater lobbies. Then, Wood
yelled "This movie stinks! This movie is terrible! We
want our money back! Kill the manager!"
Houston DJ Chuck
Tiller, a Jim Wood listener while growing up, describes this
stunt in a 2006 email to this site.
Tiller also describes an antic in which
Wood would"ask the listeners to turn up the radio and
shine a spotlight on the neighbor's house.
Jim would then
say, 'Come out! Come out with your hands up! This is the police!
The house is surrounded!'"
Miller and Tiller agree that the final
incident was one which pitted Jim Wood against KILT's arch
rival KNUZ. It was 1964, the peak of Beatlemania, and each
of the two top 40 stations claimed to have the inside track
with the Fab Four. I distinctly remember a jingle on the Jim
Wood show which went
KILT is
your station
For Beatle celebrations
The melody was the same as
Close your
eyes and I'll kiss you,
Tomorrow I'll miss you
from the Beatle song All My Loving. KILT, a station which was already number one in Houston,
was tying its very identity to the Beatles. That tells us
something about the fierceness of the competition with KNUZ
as each vied to cash in on Beatlemania. It was within that
atmosphere that Jim Wood ventured a stunt too far.
Sometime in 1964, Buddy McGregor had
left KTRH (where he had been the token male presence on the
"Woman's World" talk show) to join KNUZ in its battle
with KILT. As its nighttime response to Jim Wood, MacGregor
broadcast an "interview" with the Beatles. The recording
wasn't quite what it seemed, and that lead to a quick challenge
from Jim Wood. Chuck Tiller explains it like this:
Buddy had one of those open-ended
interviews where you stick your own voice in asking John,
Paul, George and Ringo a set of prepared questions. Jim
went nuts about it, recorded it off the air from KNUZ and
put his voice in. He told his listening audience that it
wasn't a real interview and explained how it was done and
he could do the same. Dave Morris, GM for KNUZ/KQUE was
enraged, but happy at the same time. Happy, because he could
now get rid of his 7-Midnight obstacle. Uncle Dave demanded
that KILT fire him.
Chuck Tiller reports that he learned
these details from the late Thom Beck who had been News Editor
at KILT and later a roommate of Jim Wood in California. Tiller
combines that information with his own experience as a young
Jim Wood listener:
At the time, I was 13. I hated KNUZ
for what they did. My 13 year old mind sorted it out that
way. Little did I know that would wind up working on both
KNUZ and KILT in my then future.
Marvin Miller believes that KILT "would
have stood up" for Jim Wood had it not been for the recent
bomb joke. He was already on probation. After the KNUZ incident,
Jim Wood was gone. Miller concludes his remembrance like this
Of all the people I worked with at
KTHT, KRBE, and KILT, Jim Wood was the best and most entertaining
of all. He was one of a kind and will always be missed by
those who remember him.
Jim Wood continues to be both memorable
and influential for Chuck Tiller. In his 2006 message, he
stated:
Just a few weeks ago, while on KHJZ,
I was doing a quick weather forecast and said, "it's
a pair of 7s, that's good enough to open the poker game,
it's 77 degrees at Smooth Jazz, 95.7 The Wave." As
I listened to the Jim Wood aircheck, I fell out as I heard
Jim mention basically the same thing. Somewhere inside of
me is a part of Jim Wood, uptown, downtown and all around
town, Jim Wood calls.
According to Rock Radio Heaven, Jim Wood died in 1990 at the age of
58 when he choked to death from a cough drop while being hospitalized.
Wood, long a heavy smoker, was suffering from emphysema.
This is the first public exposure for
this aircheck. A studio recording for job search purposes,
it may be tamer than the Jim Wood you remember.
Thanks to Marv Miller for donating
this material. Thanks also to Bob
Edwards of ProSound
Studio for converting the open reel tape to digital form.
Houston Retro Radio is hosted as part
of VASTHEAD.COM.
If you have original Houston radio tapes that you
would like to see on this web site, please write to this web site.
Upon request, the tapes will be returned along with an mp3
disc of all the material.
Most newer CD and DVD players can play mp3 CD's, and each
disc can contain several hours of material. The mp3 files
can also be copied to your computer or portable device. If
you prefer regular CD's, you can use the mp3 files to burn them on
your computer.
The Evolution of the Music Video
Strawberry Fields Forever was one of the first visual productions I remember seeing that resembled a modern music video. The date was February 12, 1967.
The Ed Sullivan Show broadcast Strawberry Fields Forever along with Penny Lane, the flip side of a double single.
I think to qualify as a music video, the visuals have to show some movement or story (however surrealistic) and not just show a band appearing to play its instruments while lip syncing.
Of course, back then they were called film clips, not music videos. People tend to think that films based on songs began with MTV in 1981, but the Beatles had pioneered the productions long before that.
This Strawberry Fields Forever clip was made for TV, but many parts of the Beatles movies could rightfully be called music videos. In fact, I remember seeing some songs from Help! being played like music videos in the mid 80's.
A lot of musicians didn't like the rise of MTV. They felt that an art director would dictate what a song really meant instead of the people who wrote and played it. That is what the band Journey was getting at when they called their 1986 album "Raised on Radio."
Below is my favorite Monkees song. It was written by Michael Nesmith (born at St Joseph's Hospital in Houston in 1942). He was the Monkee whose mother invented Liquid Paper.
This is not your father's Main Monkee Memory. One of the many music trends in the 60's was a nostalgia for the music of the 1920's. The best known example of that was "Winchester Cathedral," a song which made No. 1 at around the same time that the Monkees TV show appeared.
This Monkees recording capitalized on that trend and makes Nesmith sound like he is singing into a megaphone. The song manages to be both nostalgic and psychedelic at the same time.
Write
to this site If you don't want your name to
be used or an email to be quoted, please state that at the beginning
of your message.
Unless otherwise indicated, all commentary
and photography on this site are by Grady
McAllister.
On February 14, 2009, Robert B. McEntire wrote:
Felt I had your bio by reading
the entire site. Finding out you called THE MAN YOU LOVE
TO HATE really tickled me. I have a good stories about
the glory days of AM radio, maybe I can share them sometime.
I know you're not doing it for the money, but thank you
for your preservation efforts of an amazing time in Houston
radio.
Robert B. McEntire
PS One of my newscasts in the Dunaway
to Weird Beard Feb. 13, '67 did not get scoped and that's
a great thing!
In that one aircheck are 6-people
from KILT in the Texas Radio Hall of Fame and 3-of us
went in the charter year, Chuck, Bill and myself. Looking
back; and listening back, all McLendon newsers sounded
like the guy who narrated TV's Untouchables. I'm so glad
I learned to write in that era. With McLendon, if you
weren't creative you were gone.
From Buddy McGregor
On August 10, 2009, Buddy McGregor wrote:
Great work on the KILT-KNUZ wars!
Thanks for being faithful to my emails.One thing that I could add, in response
to my boast that I knocked off a talented Jim Wood...The Beatle incident that got him
fired was a defining moment in the WAR.But, on May 8, 1965 I was the first
American DJ to fly to England and interviewed the Beatles,
LIVE, on the set of the movie "HELP".Back in Houston from that point on
our Beatle work is what propelled KNUZ into first place
ahead of KILT. Ironic, wasn't it? Arch Yancey did a masterful
job editing the interview which was also pressed onto 45
records.(2000) of them.They sold out at Foley's in one day.
I just noticed that collectors are selling them on Amazon
for $7.50.I sent 15 of them to the Beatles,
who autographed them for me and I still have them in my
possession. Maybe they'll bring more than $7.50If some of your readers know where
the guys are who began Top 40 radio in the fifties. I would
like to feature their biographies on my Internet site.
People often wonder what happened
to those guys they grew up with.
Buddy goes on to mention an award winning newscaster he
knows who now works as "a 'greeter' at Walmart in suburban
DC." Buddy concludes by quipping:
I'm unemployed and Walmart passed
me over for a job. My address is www.mcgregor.buddy@yahoo.com
Thanks.
In a subsequent message, Buddy assured me that he was only
kidding in the part about needing a job himself. I already
knew that he had operated a successful radio venture in the
Austin area. Buddy explains:
I sold our stations to EMF broadcasting
and ESPN for $8 million. Even after the stockholders were
paid off and Uncle Sam took our taxes, we all came out well
off.
I am working slowly on building my
History web site and plan to write a book on my 50 years
in the business which spans the beginnings of Top 40 and
lots of background stories about the stars and radio people.
In the 80's I met a guy in Los
Angeles who told me he was a friend of Jim Wood, who was
living out there in the valley. We got Jim on the phone
and had a kind of reunion. He was out of radio and working
in the security business.
Jim was a gentleman who admitted
to me that the 60's period with the Beatles was something
he'll never forget. His words were: "you beat me
fair and square'"
Jim's mistake back then was taping a portion of my show
on KNUZ in Houston and playing it back on KILT, Houston.
[Web master's note: In a later phone conversation on
November 4, Buddy explained that back then the FCC strictly
forbid all unauthorized rebroadcasting of materials off
of another station. The rule applied to this 1964 Beatle
recording even though it was a widely distributed canned
interview. The local DJ's simply mixed their voices in
with the prerecorded Beatle responses. For more about
this incident, see my commentary with the Jim Wood aircheck
in the center column of this page.]
My attitude, personally, was that I welcomed the free
publicity, but the executives of both stations feared
punishment from the FCC, so they agreed that letting Jim
go was the right course, as far as the FCC was concerned.
After that Jim became a top jock on a Black LA radio station,
where he was the only white deejay. He kept that job for
years before getting out of the radio business.
In a second November 3 email, Buddy McGregor continues:
I had no
idea someone was keeping those old memories alive.
My son, who was too young in 1965, told me he never knew
how good a DJ I used to be until he listened to the KNUZ
aircheck on your site.
With all the Top 40 excitement from KHJ in LA in that
period ... and the Good Guys on WMCA in New York, Top
40 radio had no better exponents than the guys in Houston
and Dallas.
The perennial Paul Berlin, the ubiquitous Joe Ford, the
antics of Arch Yancey and the bold voice of Jim Wood.
Yes, the executives in New York, LA and Chicago came into
Houston to tape our radio stations, and take that Top
40 style back to their stations.
I'm preparing to release the full version of my 1965 interview
with the Beatles on the set of the movie 'HELP" at
Lord and Lady Astor's estate in London suburb Cliveden.
I couldn't say it on the air back then, but the mopheads
had been smoking pot for two hours before the interview.
You'll hear them giggling, getting the munchies and artfully
tearing me apart, especially John.
You can preview it on your site when its finished, if
you like.
Bill Weaver, a Houston pioneer at KILT in 1958 passed
away this year. He hired me for KILT that year as we changed
the call letters from KLEE to KILT and Don Keyes and I
were the first to say the call letters on the air on midnight
May 8, 1958.
After making KILT number 1, we all moved on to better
jobs. In 1963, when I came back to Houston, Bill refused
to hire me because I was too old. I was 31.
I eventfully wandered over to KNUZ where Dave Morris turned
me loose to knock off the mighty KILT machine. We did
kick their ass in just a few months and turned the ratings
upside down to KNUZ favor.
Bill Weaver and I laughed over those days last year at
his home in Cibolo, TX where he was dying with cancer.
One of the highlights of those old stories occurred on
the night the Beatles plane landed at the private runways
of the airport. Weaver was to meet them and give their
people a $25,000 check before they got off the plane.
A KNUZ listener, who worked at the airport, tipped me
off to where the Beatle plane was landing. I immediately
told all my Beatlemaniacs to head for the airport.
They did , and thousands of them kept Weaver away from
the plane with a big display of pandemonium. Weaver was
quoted in the Chronicle: " Yeah, that Buddy McGregor
did this, and it was chicken for him to do so."
The next day all the KNUZ jocks were clucking like chickens
and calling ourselves "Houston's Chicken radio station
... puk-puk-pkwah ".
I was glad I reunited with Bill in his last days. His
book was finally finished before his death. It is titled
'The triple double cross' and is a further version of
the Kennedy assassination.
If you recall, KILT and 7 other Top 40 stations were owned
by one of the inventors of Top 40, Gordon McLendon.
When Jack Ruby shot Lee Harvey Oswald in Dallas, Ruby
was arrested, and his one phone call from prison was to
Gordon McLendon. The story is intriguing.
Someone from the new KILT recently held a picnic with
invitations to all personalities and announcers who had
worked in Houston radio. I was not invited.
How quickly they forget. But thanks to you these historic
moments may live on.
Grady: Wikipedia the name Bob Horn and read another interesting
KILT story.
Thanks.
Buddy McGregor
On July 10, 2008, Paul Williams wrote:
I was on the air at KNUZ from 1960-64
from 7:00 PM to midnight most of the time (Jim Wood was
on KILT against me). Buddy McGregor took my place in 1965.
I went into sales and have been selling Houston radio
for 43 years and am now Senior Account Executive of Univision
Radio. We own 6 radio stations in Houston and 80 stations
across the nation .Also 80 TV stations.
I have a lot of old air checks
on cassette of KNUZ in the early 60s. How can I
get them to you? . . .
I saw Chuck Tillers name
in your article. He is an old friend of mine. In fact
most of the people in your writings I know very well and
have worked with many of them (Arch Yancey, Paul Berlin
and Joe Ford were all on KNUZ when I was).
By the way, I have been nominated
for the Texas Radio Hall of Fame this year and would appreciate
your vote. Just go to texasradiohalloffame.com.
I look forward to meeting you.
Paul Wild Child Williams
Paul Williams
Senior Account Executive, Univision Radio
713-965-2466
The Paul Williams airchecks are some
of the oldest items on this site...
Recorded at the exact midway point of the 60's, this was the very first KILT newscast of 1965. I recorded
it myself.
According to Dan Lovett, the unidentified newscaster is Howard Dupree. You hear Dan Lovett on the KILT newscast below which I recorded later that month.
By the way, that is Richard Dobbyn on the intro recording for each of these newscasts.
The intro music is the first few notes of "I'll Remember April" by Marty Gold & His Orchestra from the album, "Soundpower." The album was recorded in New York on December 11, 1962. As a teenager, I collected recordings suitable for news intros, and I already had the album when KILT started using it.
This newscast may sound like it was recorded at the KILT studio,
but it actually came off the airwaves of KOST, the name for
KILT-FM at the time. KOST-FM simulcast with KILT starting at 6:00 PM. The FM side would sign
off right after the midnight newscast.
As a listener, it was frustrating to have the simulcast only
last six hours a night. The KOST set up became even more exasperating
later in 1965 when the station ran independently from 6:00 AM till noon. It sounded
like the same beautiful music tape running every
day without any other program content.
If you have read my commentary on KXYZ, you know that I don't
have anything against beautiful music formats. The problem
with KOST was the way it was presented and the limited schedule.
I would have preferred that it simply simulcast with KILT
24 hours a day.
I'm sure that one factor here was that the FCC was about
to limit a station's freedom to simulcast.
Dan Lovett reports the "Sunday School Edition" of KILT news.
Jim Carola reports the voter defeat
of the Harris County Hospital District. The item sounds like it was recorded over a regular phone line, a common practice at the time.
I never wrote down the dates for these early airchecks. I determined the date for this one by looking up the date of Churchill's death and by going back to January, 1965, on a Google calendar. I was also helped by the fact that Dan Lovett mentions the day of the week at the beginning of the recording.
Unfortunately, the recording ends abruptly after the Carola report. I only owned two or three reels of tape at that point, and I was probably economizing on my limited tape footage. Kids today don't know how lucky they are to be able to record directly to a computer and store thousands of hours of audio on a single hard drive.
A Roundup of Airchecks from the '60's
These airchecks came from other people.
The undated items seem to be from the late 60's.
This aircheck arrived unexpectedly in my regular mail. The
clasp envelope included a cassette and the following letter:
Grady... Happened to get to your web site.
Very nice layout. Having worked in Houston radio some
time ago, I looked for names I knew. Sadly, most of the
guys I worked with then have "gone on" one way
or another. I worked Texas radio 1948-1962. With KILT 1957-1962 as PD and afternoon drive. Fun Times. During
the time our numbers went through the roof. Went to WOXI,
Atlanta, in 62, and have been in Georgia since then. Could never fully retire. In "semi retirement" work as independent contractor doing mornings
on 50,000 watt WKNG.Red Jones
Georgia Radio Hall Of Fame
WKNG is AM 1060 in Tallapoosa,
Georgia, near the Alabama state line. I have relatives
within their coverage area.
In a later email, Mr. Jones stated that this aircheck was
recorded on July 17, 1961, as a "single take" in
the control room. He added the following comments:
You mentioned KXYZ. Coming out of
the Army (Armed Forces Radio Berlin) in 1956, I came to
Houston with KXYZ as they flipped to a top 40 format. Staff
then included Chuck
Dunaway and Larry Kane. We sounded good, but McLendon
in 1957 bought the old KLEE 610 and the market really changed.
I went to McLendon with KILT, Larry Kane to KNUZ , others
scattered as KXYZ changed directions. Interesting times
in the market...
Thom Beck was indeed a real talent. I had long lost contact
with him but I ran across an LA site mentioning the "late"
Thom Beck. As Claude Hall says "They come, they do,they
leave." Sad but true.
This is just the kind of aircheck I
like to receive. Although it is scoped, the recording includes
several newscasts, promos, and commercials. Such details help
create a real feeling for the time when the material was recorded.
—Grady McAllister
Ron Foster, John Jackshaw, and
University of Houston News
You can also hear Ron Foster on the
short aircheck for August 4, 1968.
On April 10, 2008, Ron Foster sent
this message:
Hi Ya!
I appreciate your posting the airchecks from KILT from 1968.
I don't actually remember the particular show with the guest
DJ but it might be interesting to note that, that's how
I got the gig at KILT! "The University of Houston Show."
I was on for 8 weeks after which I got a call from Bill
Young asking if I'd like to work there on weekends!
That was a huge break in that I'd been laughed out of the
building at KNUZ where I'd applied a few weeks earlier.
Eventually I wound up on the 10 PM to 2 AM shift.
I'm still playing many of the same songs included on the
aircheck. Only then, they were "new." I have been
with ABC Radio for over 20 years - same time - 2 PM - 7
PM Central and am the webmaster of our format web site.
If you type in "listen" in the search box on the
web site, you can listen any day 2 to 7 - Monday through
Friday. You can also check out the Ron Foster bio if it's
of interest.
Again, thank you for posting the airchecks. If you would
like more, please let me know and I'll see what I can come
up with.
Sure, you can quote all or any of this.
Yo Bro, Ron
These airchecks also feature John T.
Jaksha (John Jackshaw). Jackshaw appears as the guest DJ from
the University of Houston. It was probably the first time
he was ever on the air.
These airchecks were the only reel
to reel recordings that I made at 1.875 inches per second.
I used a Norwegian made Tandberg, a machine designed to work
well at its slowest speed.
Since I had to drive Jackshaw to the
station, I started the recording just before we headed to
KILT. The long recording time was enough to capture the entire
show without changing tapes.
Besides being new to the airwaves,
John Jackshaw was already legally blind and had to write everything
out in big letters. He later became a full time broadcaster
and worked in the Houston area at a station featuring Christian
programming.
He is best known today for his comedy
acts. Jackshaw's shows are aimed at audiences in the Christian
community and at anyone seeking family friendly entertainment.
In the recording for December 22, Jackshaw
includes a Christmas greeting to James Lovell, an astronaut
then aboard the Apollo 8 mission to the moon. Later, while
orbiting the moon, the Apollo 8 crew would broadcast a
famous Christmas greeting of its own.
"And even then, your journey
will be just beginning"
This short item was preserved only
by chance. I appear to have been testing my Tandberg tape
recorder, a very temperamental machine.
Since I did not make note of the date,
I have established it by comparing the material to information
on the Internet. A news item on the recording indicates that
it was made on the Sunday prior to the Miami convention which
nominated Richard Nixon as president. The recording also mentions
a York, Pennsylvania, riot from that weekend and a Jimi Hendrix
concert scheduled for that night.
The commercials and promos are especially
interesting on this recording.
Thanks to Vicki Ayo for sending these
KNUZ recordings. These two items help fill a significant gap
in my collection.
My original collection has a great
big lack of unscoped recordings of well known DJ's. If fact,
I only kept only about ten seconds of KNUZ material -- a news
intro from 1964.
I didn't remember anything about P.J.
Proby, but the singer and his mom are prominent on the
MacGregor aircheck.
The same KNUZ recording was also my
first exposure to that Garner State Park anthem since 1965.
Some songs stay with you even if you never hear them again.
That second KNUZ aircheck shows Buddy
McGregor pitted against KILT's Russ Knight in the battle of
the nighttime top 40 jocks.
Somebody please send me some Russ Knight
(Weird Beard) airchecks.
I almost kept a great Russ Knight
aircheck of my own. Have you heard my recording of the KILT
newscast from 12:00 A.M., January 1, 1965? I also recorded
Russ Knight's New Year's Eve show immediately before the newscast.
That recording had some very exciting
examples of the Weird Beard "pretending" to be drunk.
Unfortunately (with the immense maturity which I possessed
at that age), I decided that the recording was stupid and
lacked the historical value of the newscast. And so I erased
over it. And so it goes.
Actually, I do have this Russ Knight
aircheck. Unfortunately, I can't claim that I recorded it
myself. I traded one of my original tapes for this material
several years ago, and I am only now getting around to listing
it.
I generally avoid posting items which
have come from another web site. Nonetheless, this recording
captures the essential style of the Weird Beard and KILT in
general.
I believe that I was listening at the time of this recording.
During that particular month,
I was tuned to KILT much more than usual. I also remember
hearing Russ Knight make that remark about WXYZ in Detroit.
So, unless he made the WXYZ remark on more than one occasion,
I had to have been listening on the night of June 14.
For more about Buddy McGregor and the
KILT Vs KNUZ saga, please see the Jim Wood aircheck further
down this column.